(See previous post. This update is from October, I think)
What do you folks think about Drop D? It’s a phrase that causes me to cringe, or at least gulp, at first but then with further reflection my hesitation eases a little. See, first impression I think of something in the Korn / Limp Bizkit vein, a vein that is no good. But there’s also a few good indie and punk songs that pull it off. (‘Chinatown’ by Jets to Brazil comes to mind. Also… Ok, I’m drawing a blank, but other examples do exist!)
I guess I should explain: Drop D means you drop the tuning of the lowest string on the guitar. Usually E, it goes down – or drops, get it? – to D. What happens after that depends on what you do with it. It makes power chords easier to play, and you can do a lot of goofy sounding stuff on the lower frets (this is what falls under the Korn camp).
But there are also a few neat tricks you can do, things that don’t make it sound like you have dreadlocks and are about to yell, “Step the fuck back!” or “Ruahkakaka!” or something. For one, you can play octaves on the A string but also hit the open dropped D, which makes a nice Jawbreaker-y effect on the right frets. And just playing a ‘normal’ punk progression suddenly has a cool, darker sound to it.
I’ve written two song ideas in Drop D for the new album. Obviously, they are not in the Korn camp. Dummy titles are “Blinders” and “Lightsleep”. The initial demos were a little shaky, but we’ve done some cool stuff to them as a full band and i’m now pretty confident both songs will end up on the final album. TWO drop d songs— who would have guessed?
The other weird/different thing I wanted to try on this record was a song in 6/8. But what I came up with sucked. So, fuck that 6/8 shit! Drop D is where it’s at.
In fact, do you think “Stop, Drop D, and Roll” would be a good album title? Like, all of us adjusting our tunings in the middle of a fire….. could be awesome.